Parasite (1982) – Post-Apocalypse, Parasites & Leather Underwear
Parasite (1982) is a post-apocalyptic sci-fi horror full of parasites bursting heads, cameo laser guns, and Demi Moore’s debut. Lizzy dives into the gore and grit.
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Parasite (1982) is a post-apocalyptic sci-fi horror full of parasites bursting heads, cameo laser guns, and Demi Moore’s debut. Lizzy dives into the gore and grit.
The Day Time Ended (1979) is a low-budget sci-fi cult film with stop-motion aliens, cosmic weirdness, and early Full Moon Features flair. Lizzy explores its charming chaos.
Tourist Trap (1979) is a surreal horror cult classic filled with telekinetic mannequins, masked killers, and one unforgettable twist. Read Lizzy’s full take on this bizarre gem.
Charles Band’s Laserblast (1978) is a low-budget sci-fi cult film packed with stop-motion aliens and revenge-fueled chaos. Read Lizzy’s full breakdown of the weirdness.
Fairy Tales (1978) is a raunchy musical fantasy with singing, sex, and fairy tale chaos. Read Lizzy’s full review of this wild and weird cult film.
Auditions (1978) is a softcore mockumentary directed by Harry Hurwitz and written by Charles Band, featuring nudity, vintage charm, and awkward moments.
End of the World (1977) stars Christopher Lee and Sue Lyon in a jumbled sci-fi thriller with clones, aliens, and confusion. Read Lizzy’s full review.
Cinderella (1977) is a wild softcore musical comedy directed by Michael Pataki, featuring beaver jokes, catchy songs, and erotic fairy tale satire. Read Lizzy’s full review of this vintage cult classic.
Lizzy’s Take: Christine, is that you? Nope—turns out Crash! did it first. If you’ve ever wanted to see a car fueled by voodoo rage, fireballs, …
Mansion of the Doomed (1976) is an early horror film from Full Moon icon Michael Pataki, featuring Richard Basehart and a pre-fame Lance Henriksen. Eye transplants, madness, and grotesque visuals abound—read Lizzy’s full review now.